What a pleasant sensation, to come back to the textured urban haunts of South Seattle and be greeted with welcome, as if a returning friend. I’ve been scattered in my work schedule and absent entirely for the past week, focusing every iota of my attention on my film (I’m this close to being done with shooting; cross your your fingers for me for sunshine on Sunday!). Film directing is the hardest thing I know how to do, and therefore I must do it. I love doing it. It may be the only gig I like more than driving wonky bus routes through questionable neighborhoods at all hours of the dark night….

Here I was now, off for the evening and walking towards my midnight bus home.

A figure stood in the gloom. He called out to his companion, pointing at me, a coach’s sporting yell:

“That’s the best bus driver, right there!”

“Ha! I’m not that great!” I laugh-yelled in reply.

He further elucidated his claim to his friend, and I began to notice other faces in the dark. These are souls I recognize, I thought, on more than one level. They were relatives in sensation, if not blood; I felt the textures of their lives as my own, the workaday grit and rhythm of service job life. These were the hands that knew the takeout restaurant kitchen sinks, the loading dock garage handles, the construction gloves that grow to know the shape of your fingers.

In spending time in a wide latitude of different status circles, I’ve noticed a problem the very rich and the very poor share in exactly the same capacity. Both groups have to contend, in nearly every interaction they have, with preconceived notions of who they are based on their income. I know wealthy white landowners who overflow with compassion, self-awareness, and a desire to contribute and understand others with genuine empathy, just as much as I know destitute people of color who are educated, selfless, and concerned with ethics and the advancement of society at large. And yet, these folks tend not to get evaluated as such. Abraham Lincoln comes to mind: “I don’t like that man. I must not know him very well!”

Tonight, however, there’s nobody around but us service folk. In a way I hope one day works amongst everyone, we all get each other here. I’m in the Fifth and Jackson plaza, and a gaggle of passengers for different south-pointing routes is loitering about.

“Heyy,” I say to the middle-aged Chinese man seated on a concrete bench. He’s rail thin and doesn’t speak English, and tonight waits with one sock-clad foot out of his shoe, maybe resting from a standing job. We fistpound. I can tell the gesture is culturally unusual for him, but he grins at my youthful enthusiasm. Wonder if he has kids.

A voice to my left: “Heyy, are you driving the 7 tonight?”

“No, I was earlier, I just got off! I’ll see ya tomorrow!!”

I turned away with a grin and walked right into another man, a chubby friend who sleeps on the Night Owls. We spoke briefly about how I’ve been away from the bus of late.

“Even if I pick something else for a while I always come back around,” I said. “I’ll be around. They’re not gonna fire me, right? Fingers crossed!”

“Oh they better not, Nathan! You’re one of the best bus drivers around!”

He knew my name. How did he know my name? To hear the compliments, this camaraderie in the midnight hour on foot, exposed here at this legendary intersection, engendered a feeling I can hardly describe. The interactions were brief, lasting seconds, but they represented connections I’ve been building for years. Season after season of smiles and small talk are the seeds of this, now, the sensation of a warm embrace in a place that’s supposed to be dangerous. An invisible exhilarating outdoor cocoon. Maybe that’s why I don’t wear a jacket to work.

I have many homes, and am as anxious to return to a film set as anyone else; but there’s something special about this home, the great urban experiment I’ve been conducting for nigh eleven years now, whereupon the forgotten flotsam and jetsam of America behave at their best and their worst, but as ever offer their love toward me, their respect and acceptance… with no agenda whatsoever. They love, expecting nothing in return.

I can learn from that.

Previous articleHuzzah: Legislature Adjourns with Sound Transit Funding Intact
Next articleSunday Video: The Seattle Streetcar
Nathan Vass has had work displayed in over twenty photography shows, designed a book and three album covers, including two for Neil Welch. His “My Favorite Things” tour at Seattle Art Museum was the highest-attended such tour there. Nathan is also the director of eight films, four of which have shown at festivals, and one of which premiered at Henry Art Gallery. He owns a photography business, Two Photography, with Larry Huang, and has photographed a dozen-plus weddings. Born in South Central LA, he holds a Bachelor of Fine Arts from the University of Washington, and is also a prolific writer and sometime painter. Formerly a Hollywood resident, he still contributes film reviews to Erik Samdahl's site, Filmjabber. In addition, he holds a side job as a public bus driver, which he enjoys almost as much as directing films- if not slightly more so! He is a two-time winner of Metro’s Operator of the Month award and holds a record number of commendations.