Update: This story has been corrected to reflect that the City of Seattle does not require private developers to spend 1% of their budgets on art. The program applies to public projects, such as parks, libraries, community centers, and bridges; it stipulates 1% of eligible city capital improvement project funds be set aside for art.

Community members gathered at Centerstone in the Central District Wednesday evening to get a first glimpse at the art planned for the Liberty Bank Building, which will bring 115 affordable homes to the site of the region’s first Black-owned bank at 2320 E Union St. The immense artistic talent of the Central District was on full display at the art open house, and early indications are that the Liberty Bank Building will be a beautiful structure permeated with creative works.

The art was still at a preliminary phase with building’s lead developer, Capitol Hill Housing, eyeing a fall 2018 opening and planning groundbreaking ceremony on June 19th. Co-curators Esther Ervin and Al Doggett introduced the many Black artists contributing to the project, many of whom had been active in the Central District community for decades. The contributors include the following:

Esther Ervin introduces her fellow artists working on the Liberty Bank Building.
An example of Hamer’s other work includes this print called “Kiss The Sky” of Jimi Hendrix. (Aramis Hamer)

Not only have these artists been active in the Central District going way back, Ashby Reed even held deposits in Liberty Bank when it was still operating. Reed will contribute two pieces depicting 12 prominent American American citizens and the Seattle parks for which they’ve become namesakes.

These aspiring artists are in Umoja PEACE Center’s Young Genius program.

The building also brings in work from youth artists from Umoja PEACE Center Young Geniuses Program at Africatown. Those aspiring artists include: Azon Johnson, Emoni Slade, Fanikia Johnson, Jasiri Johnson, Latricia Jackson, Naomi Youmans, Saire Williams, and Wahleek Garrett, each of whom shared a project and said a few words about it at the event.

These paintings aren’t headed to Liberty Bank Building but beautifully showcase Lisa Brown’s talent.

Now if you’re an apartment dweller like me, you may be wondering why couldn’t as much care go into curating the art that went in your building. For my building, that has translated into some haphazard prints of cliché neighborhood landmarks and a heavy-handed hodgepodge of bicycle-themed works. In contrast, the art in Liberty Bank Building will be a tour de force of local Black artists all seeking to strike a harmonious chord to create a unified vision for the building. The Liberty Bank art won’t be checking a box; it will be underscoring history and affirming African Americans future in a gentrifying neighborhood. It appears it will have deep meaning for the community and the 115 households lucky enough to live in the building.

Drum bench by Esther Ervin.

Ervin explained how her art design will try to communicate Black culture and history.

“The tile design will go on five circular bench and they’re meant to refer to drums,” Ervin said. “The original idea started with drums because in African culture drums have a special significance because they’re used in weddings and funerals and other special events. It’s got an Afro-centric color pattern, and it’ll also be used on the rectangular benches designed by the architects.”

The entry to Liberty Bank Building will be striking.

Co-curator Al Doggett revealed a striking design for the courtyard entry of the Liberty Bank Building. Doggett has been a fixture in the Seattle art scene going back to the 1960’s. As his bio states:

He opened Al Doggett Studio in Seattle in 1967, producing art projects for the advertising and graphic arts industries. He built one of Seattle’s top studios, specializing in illustration, graphic design and photographic retouching. While overseeing the studio’s variety of accounts and guiding a staff of five artists he managed to continue to produce his fine art work.

Aside from his work for Seattle’s advertising industry Al provided art studio services to his Central District community by producing flyers, logos, brochures and business cards for Black owned businesses. During the 1970’s he designed several posters for Black Arts/West theatre. The past ten years he designed posters and flyers for Martin Luther King Jr. Day march and rally.

Doggett and Ervin are also working with the architects to design accents on the building exterior.

The first floor retail will be enlivened by accents on the canopy.
Liberty Bank Building will be a handsome addition to 24th and Union. (Capitol Hill Housing/Mithun)

In October, I wrote about about how community development organization Africatown hoped the Liberty Bank Building would prove a model for future development in the Central District and show the way to grow in a way that respects the neighborhood’s history and culture. The art open house suggests the project is well on its way to being a guiding light–but will other projects follow?

No other Central District project looms larger than the Midtown Center project. Recently, Africatown paired up with Forterra to make an offer to buy Midtown Center–that seems the surest way to for that project to follow in Liberty Bank’s footsteps. But it doesn’t appear the Midtown Center’s owners are too cooperative after kicking Black Dot out of its rental space. (Africatown’s CEO K. Wyking Garrett was also a co-founder of Black Dot.) Perhaps the Bangasser family is trying to cash in on a better offer. Whoever takes control may feel significant pressure to follow in Liberty Bank’s footsteps in some way.

Centerstone hosted the art open house and is a partner in developing the Liberty Bank Building.

Africatown Organizers See Opportunity With Liberty Bank Site

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Doug Trumm is the Publication Director at The Urbanist. He joined the exodus to Seattle in 2014, leaving behind his home state of Minnesota. Living on disputed land between Wallingford and Fremont, he is doing his best to improve both neighborhoods. He is a grad student at the Evans School of Public Policy and Governance and a marketing intern at King County Metro. His views are his own and do not represent his employer.

2 COMMENTS

  1. This looks like a great project – top-notch art, wonderful coordination in design, all in all an excellent addition to the community. In an era of soulless ticky-tacky boxes, I’m glad to see something like this can be built.

    I know this is looking a gift horse in the mouth, but…

    The affordable housing program is run by lottery – correct? So these 115 households are likely to be less than 50% black, no? So in general, continuing (or at least not meaningfully halting or countering) the trend of the black community being pushed out of the Central District… no?

    Usually I wouldn’t comment on these things only to be a Debbie Downer. But this hit me hard in the gut as similar in kind to those Africatown crosswalks – memorializing a community that WAS, but that now slips away a little more every day as housing costs rise and expensive new projects replace older, cheaper buildings (without room for former residents). There’s something Stepfordian and horrible about these projects which make (mostly white) outsiders feel warm fuzzy feelings – look at those cute little children of color with their pictures! – while the inexorable displacement continues at pace. From that perspective, is this sort of thing not “black-washing”? At least the activists at Black Dot made someone’s life inconvenient for a day.

    I’d be happy to hear any counter-argument to this perspective – and really, this is horse dentistry. The building is great, the art is great, and the people who will live in the CD in the future should have a visual memory of what was there before. I hope those kids’ parents continue enjoy a rich, community-filled life equal to what they had in the CD after they move to Kent. Man, I hope all of us counting down the days until we are forced out of Seattle find the same 🙁

    • Hi Shinjuki,

      The issue you mention is definitely something the community partners behind the project are taking into consideration. Collectively, the organizations (Africatown, Black Community Impact Alliance, Capitol Hill Housing and Centerstone) signed a memorandum of understanding (MOU) outlining a number of other ways, beyond the art and design of the building, to use the redevelopment of the site for the empowerment of the African American community in the Central District including: offering ownership of the building to the community, maximizing participation of minority, and particularly, black subcontractors, working to get local Black-owned businesses into the commercial space, setting up an innovation fund to support other businesses, and working with community partners to activate the building once it’s completed. Affirmative marketing to promote equal access to people from all segments of the community, including minorities, people of color and persons with disabilities will also be a part of the process as the building draws closer to lease up.

      There’s also a recognition that this is just one building, but the partners hope it sets a standard for all of the other developments going up in the neighborhood about how to work with the community to address some of these issues.

      There’s more info on the MOU at LibertyBankBuilding.org

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